The Panopticon
The Panopticon of Jeremy Bentham is an architectural figure which "incorporates a tower central to an annular building that is divided into cells, each cell extending the entire thickness of the building to allow inner and outer windows. The occupants of the cells . . . are thus backlit, isolated from one another by walls, and subject to scrutiny both collectively and individually by an observer in the tower who remains unseen. Toward this end, Bentham envisioned not only venetian blinds on the tower observation ports but also mazelike connections among tower rooms to avoid glints of light or noise that might betray the presence of an observer."
The Panopticon thus allows seeing without being seen. 'Such asymmetry of
seeing-without-being-seen is, in fact, the very essence of power for Foucault
because ultimately, the power to dominate rests on the differential
posession of knowledge'"("Subject"
223).
"According to Foucault, the new visibility or surveillance afforded
by the Panopticon was of two types: The synoptic
and the analytic. The Panopticon, in other words,
was designed to ensure a 'surveillance which would be both global and individualizing'"
(Power/Knowledge 148)
From Barton and Barton,
"Modes of Power" (139-41).
Panoptic Modes
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